Steinberg has released a new high-quality virtual piano Steinberg The Grand 3. Grand 3 contains all the artistic details that elevate the virtual instrument to an unprecedented height of realistic sound. It features the three grand pianos (Yamaha C7, Bösendorfer 290 Imperial, Steinway D), the Yamaha CP80 Electric Grand digital piano and the Nordiska Pianofabriken piano. All instruments were recorded in studio conditions using a large number of microphones. The incomparable sound of the piano Yamaha C7 is a champion in beauty and musicality. This incredible sound was the result of a long work of programmers and musicians. The virtual piano Yamaha C7 is able to convey all the features of musical expressiveness in the performance.
Three of the five pianos modelled in The Grand 3 are the Yamaha C7, the Bosendorfer 290 and the Steinway D. These offerings represent the very best in grand pianos and are the same models used in Ivory, QL Pianos, and two of the models in NI's Akoustik Piano. For the composer/producer who doesn't know his Steinway from a fish fillet, think of these as your Stratocaster, Les Paul and Telecaster of grands. To round out the sonic palette, The Grand 3 adds a Nordiska Pianofabriken upright and Yamaha CP80 Electric. These two aren't grand pianos, but let's not get caught up in semantics. Any upright is a welcome addition to a piano library and the CP80... well, think of it as a gift from your friends at Yamaha.
Steinberg The Grand 3 Torrent
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Steinberg has released a new high-quality Steinberg The Grand 3 virtual piano. Grand 3 contains all the artistic details that elevate the virtual instrument to an unprecedented height of realism of sound. It features three grand pianos (Yamaha C7, Bösendorfer 290 Imperial, Steinway D), a Yamaha CP80 Electric Grand digital grand piano and a Nordiska Pianofabriken. Recording of all instruments was carried out in studio conditions using a large number of microphones.
The incomparable sound of the Yamaha C7 grand piano holds the record for beauty and musicality. This incredible sound was the result of a long work of programmers and musicians. The Yamaha C7 virtual grand piano is able to convey all the features of musical expression in performance.
The Bösendorfer 290 Imperial is a virtual grand piano that allows the gourmet of high-quality sound to enjoy all the colors and richness of the timbre of a real grand piano. It is perfectly controlled with the appropriate controllers and is able to shine in every piece of music, delivering luxurious sound quality.
Neuman microphones were made to special order for recording grand pianos. The characteristics of these microphones have been adapted to the piano, taking into account the timbre and frequency characteristics. The microphones reproduced the luxurious sound of each instrument with maximum fidelity. Everything was recorded: the acoustics of the room, the resonance of the strings, the sound of hammers and even the rustle of the pedal.
You might not even own a full-length, 88-key digital piano, but may only have a MIDI keyboard with 49 or even 25 keys. Yet you will still be able to score that grand piano sound with the power of MIDI editing.
There is no one answer to this question. A good place to start is to identify which acoustic piano brand produces the sound you prefer, whether a Steinway, Bösendorfer, Yamaha grand piano, etc.
The Vienna Imperial virtual grand piano by Vienna Symphonic Library is recorded on the Bösendorfer 290-755 with a huge 1,200 of samples recorded per key applying a large magnitude of pianistic possibilities.
It is one of the more versatile piano VSTs and fits many playing styles, serving well as a concerto grand that may be heard over an orchestra. It has a large dynamic range, allowing for delicate passages and soaring fortissimos.
The instruments vary from Baroque harpsichords and Steinway & Sons classical grand pianos, to rock pianos and auxiliary instruments like the xylophone and celeste.
The library samples its sound from three grand piano models: the Bösendorfer 290 Imperial Grand, Steinway D Concert Grand, and the Yamaha C7 Grand, all three of which are included in the bundle.
The library bundle includes a vast array of presets, allowing you to preview the grand pianos in a different recording environment (microphone placements, hall/room types, reverberation, etc.) and to adjust these nuances accordingly.
The Ivory II has focused heavily on replicating grand piano samples and allowing users to recreate a piano performance as if they were playing on a Steinway, Bösendorfer, or Yamaha grand. The library features Sympathetic String Resonance, which allows a true sound of resonance when a key is struck.
Garritan is garbage. I have most of those VST libraries. Most of them have been uninstalled. The only ones that I still use consistently are Pianoteq Pro 7 Studio Bundle and Keyscape. And as far as acoustic grand pianos are concerned, Pianoteq Pro has no competition. I keep Keyscape purely for the electrics.
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This Court's consideration of the summary judgment motion was of necessity deferred in order to permit access by plaintiff's attorney and also by the defendants' attorney and this Court, to the grand jury testimony of the defendant Steinberg, at relevant times an agent of the BNDD. Following limited release of Steinberg's testimony to the grand jury, discussed below, and further argument, the Court has now taken the entire motion as fully submitted for decision. Familiarity is assumed with respect to all prior proceedings, including this Court's decision in Dale v. Bartels, 532 F. Supp. 973 (S.D.N.Y.1982), requiring disclosure of the grand jury minutes under a protective order.
The Tenth claim is founded on the grand jury testimony of Steinberg. It therefore became obvious that his grand jury testimony had to be made available to this Court and to counsel for the parties. Although the transcript thereof was in possession of the Criminal Division of the United States Attorney's Office in this district, the Assistant United States Attorney appearing for defendants in this case, assigned to the Civil Division, had never seen it. Also, because he did not go to trial on the Indictment, Dr. Dale had never actually seen the transcript of the grand jury testimony. See 18 U.S.C. 3500(e) (3). Disclosure was ordered under a protective order in customary form, pursuant to this Court's Memorandum decision and order dated February 26, 1982, which also provided that the motion for summary judgment disposed of herein be held in abeyance pending production thereof, which has been done.
This Court has carefully reviewed the grand jury minutes of defendant Steinberg, then a Special Agent of the BNDD and now serving as a Deacon in the Roman Catholic Church in California. Defendant Steinberg's deposition has also been taken in the action, along with that of the informant Covner, mentioned below.
Steinberg's grand jury testimony, taken on February 7, 1973, consists of 33 pages of transcript. Some of it is hearsay, clearly tendered as such. Fairly read, it was sufficient to justify and support the indictment which charged plaintiff and his wife with knowingly and wilfully keeping and maintaining false and fraudulent records in violation of 21 U.S.C. 812, 827, 843 and 21 C.F.R. 301, et seq. (First Count); and charged Dr. Dale with making false statements on or about June 9, 1972 to the BNDD as to the amount of his patient caseload in violation of 18 U.S.C. 1001 (Second Count); and with violating that same statute on July 13, 1972 when he allegedly:
Our analysis of the grand jury testimony compels the inescapable conclusion that Dr. Dale was properly indicted for the violations alleged. There was more than enough in the record, not all of it from Steinberg, to satisfy the threshold requirement that the grand jury find probable cause with respect to the crimes charged. Dr. Dale was not charged with "killing" James Richardson. The unfortunate death of Richardson, however, if associated directly or indirectly with Dr. Dale, provided a motive for the violation of 18 U.S.C. 1001 charged in Counts Two and Three of 73 Crim. 163. The information was also inflammatory.
Covner is not a defendant, nor is he an employee or agent of the BNDD. Steinberg, at the time he testified to the grand jury, could reasonably regard Covner as a reliable informant because of his presence at the clinic, and the corroboration of his complaints resulting from the BNDD investigation of the Dale clinic. The prior comments and criticisms which Covner had made to BNDD with reference to Dr. Dale's administration of the methadone program and its recordkeeping, were essentially supported by the results of the investigation.
There is no evidence to refute this testimony. (Dep. p. 21, line 13). Covner, now a physician, but in 1971 a social worker employed by Dr. Dale, testified at the deposition that he was led to that conclusion because "this young man had died while on Dr. Dale's program, and he died under suspicious circumstances that led me to believe were connected to the administration of the methadone." Whether or not Covner's inference, based in part upon a "stormy interview" between Dr. Dale, Richardson, and Richardson's mother, in which Covner in 1982 describes the patient as having been "belittled, humiliated and embarrassed" by Dr. Dale (Tr. p. 23) was a reasonable inference, or the only inference is beside the point. Covner had also heard Dr. Dale make a false statement to the Medical Examiner's office concerning the status of Richardson's prior urine reports. (Tr. p. 25). However, Covner, in his deposition in July of 1982, denied that he had ever seen the autopsy report on James Richardson until June of 1982, so the informant, while he provides a basis for Steinberg's opinion that Dr. Dale "Killed" Richardson, cannot be regarded as the source of so much of Steinberg's grand jury testimony which misstates the contents of that report. 2ff7e9595c
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